Description
For all their reputation as “wreckers of civilisation”, by 1979 the original industrial quartet had gotten some of the confrontation out of their system and were exploring a wider range of expression. Chris and Cosey were getting more into their electronics, evident on the pure electropop of Hot on the Heels of Love and Walkabout’s jolly sequenced synth. Of course, it wouldn’t be TG if it was all “very friendly”, so Persuasion and Six Six Sixties see Genesis P-Orridge letting in various shades of creepiness. Peter Christopherson must be responsible for some of the sleaziness too, of course.






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